Pages
- Home
- Bibliography
- IASDR2009 Paper
- CREATE 10 Paper
- ROME Paper 2011
- HCI Symposium 2011
- MPhil Transfer 2011
- Interacción 2014 Workshop (2014)
- New Paper 2 (2014)
- Circle of Visual Interpretation Workshop (2014)
- Circle of Visual Interpretation Cards
- BOOK: Interface Design (2014)
- Senior Fellow HEA 2014 (case studies)
- Non-PhD Design Work
Wednesday, 29 April 2015
Monumental…
I'm designing my final PhD document and I have already 69 pages of content in place. That is JUST the bibliography, image lists and four appendices. I do not wish to guess how many pages the actual 75,000 words of the PhD will occupy.
Tuesday, 8 July 2014
Friday, 20 June 2014
Write up and iteration 2
As my PhD draws to a close I am now in the final stages of iterating improvements to The Circle of Visual Interpretation method cards, and writing up my PhD thesis. I've been invited to workshop the new method card iteration in September at another interaction design conference so I'll be renewing posts to this blog very soon.
In the meantime to show that I've been active here are a few image teasers from the visual appendix that will accompany my thesis…
In the meantime to show that I've been active here are a few image teasers from the visual appendix that will accompany my thesis…
Monday, 3 February 2014
Going Dutch… very soon.
Nearly ready for Interaction 14 and my workshop. Just a slight detour via Newcastle before I fly out.
I've just posted this teaser shot on Circle of Visual Interpretation Cards page…
…nearly there (suitcase wheels permitting).
I've just posted this teaser shot on Circle of Visual Interpretation Cards page…
…nearly there (suitcase wheels permitting).
Wednesday, 22 January 2014
Interaction 14 workshop nearly sold out :-)
WOW! A near sell out. I was only expecting @5 people and now I've got
20+ people attending my Interaction 14 workshop. Good job I printed
enough sets of method cards for a full house, but I never thought I'd
need them all. I'm honoured.
From Twitter:
@ixdconf Only 5 tickets left for 'Circle of Visual Interpretation Workshop' by @VisualHermeneut http://interaction14.ixda.org/program/wednesday/286-circle-of-visual-interpretation-workshop #IxD14
From Twitter:
@ixdconf Only 5 tickets left for 'Circle of Visual Interpretation Workshop' by @VisualHermeneut http://interaction14.ixda.org/program/wednesday/286-circle-of-visual-interpretation-workshop #IxD14
Labels:
hermeneutic circle,
hermeneutic-semiosis,
Interaction 14,
method cards,
Visual Phenomenological Methodology,
workshop
Monday, 20 January 2014
Interface Design book now out
My new book Interface Design: An introduction to visual communication in UI design is now out. Order your copy from here.
REVIEW
"Interface Design: An introduction to visual communication in UI design delivers real examples of the process of designing for UI and interactive projects. Seeing and learning from real examples of maps and diagramming while outlining critical components of the UI design process at various stages, makes this book an incredibly important resource for anyone wanting to learn about and implement a UI strategy - especially for graphic designers who were educated in the print world but want to make the transition to working on UI and interactive projects. Applying the information in this book can absolutely make any designer a more valuable and strategic contributor to current and prospective clients and employers. This book is easy to follow, provides a clear understanding of what to expect in each chapter, offers insight into key questions to be asked throughout the UI process and is loaded with relevant and applicable content and insight. This is not only a book, but an incredibly useful learning tool that can be utilized on daily basis."
Sean Brennan, Senior Project Manager, Haneke Design, Tampa, Florida, USA
REVIEW
"Interface Design: An introduction to visual communication in UI design delivers real examples of the process of designing for UI and interactive projects. Seeing and learning from real examples of maps and diagramming while outlining critical components of the UI design process at various stages, makes this book an incredibly important resource for anyone wanting to learn about and implement a UI strategy - especially for graphic designers who were educated in the print world but want to make the transition to working on UI and interactive projects. Applying the information in this book can absolutely make any designer a more valuable and strategic contributor to current and prospective clients and employers. This book is easy to follow, provides a clear understanding of what to expect in each chapter, offers insight into key questions to be asked throughout the UI process and is loaded with relevant and applicable content and insight. This is not only a book, but an incredibly useful learning tool that can be utilized on daily basis."
Sean Brennan, Senior Project Manager, Haneke Design, Tampa, Florida, USA
Labels:
for graphic designers,
graphic and interactive design,
graphic design interaction,
graphic design user interfaces,
Interaction Design,
interactive design,
interactive graphic design books
Re-emerging from the PhD… my upcoming workshop at Interaction 14
After months of hard work of PhD projects, I'll be workshopping the first practical iteration of my research into a Visual Phenomenological Methodology in Amsterdam in February at Interaction 14.
In my workshop Circle of Visual Interpretation I'll be using packs of 11 method cards featuring 7 steps to visually interpret an experience…
Workshop using a visually interpretive method that reveals
to interaction designers what users experience in ways that personas
can’t communicate.
It is difficult to know for certain that the experience of one user will be the same as that for other users, and if other users sense the same things or encounter the world in the same way as each other. Yet interaction designers have to find a way of designing new interactions to suit their target audiences. Alan Cooper argues quite rightly that, “if you’re going to do user-centered design you’ve got to understand the user.”
This half-day workshop will give you, the interaction design professional, direct, hands–on experience of a new low cost methodology you can employ to reveal the meaning of user experiences through interpretation of the user’s experience itself. This emergent methodology will augment your personas within the normal ideation phase of your design process, creating a deeper understanding of what your users actually do, think, feel etc. rather that what they consciously think they know.
The practical workshop’s activities encourage the application of a method to reveal actual user experience through ‘the eyes of the users’ by applying a technique of hermeneutic-semiosis - which means visual interpretation through semiotics.
Themes in workshop include:
During this half-day workshop, we will use a very practical method card approach rather than a dry academic approach. The underlying hermeneutic-semiosis theory that (synthesising aspects of Pragmatism, and Martin Heidegger through C.S. Peirce’s semiotics) acts as a framework for the practical exploration.
You’ll come away with a clear understanding of the principles behind the methodology, and practical ideas that can inform your future interaction designs in new ways. It will also open up the debate as to how Visual Communication can be utilised more in the design of better interactive user experiences.
In the workshop you will:
In my workshop Circle of Visual Interpretation I'll be using packs of 11 method cards featuring 7 steps to visually interpret an experience…
Front and back of Step 4 card.
Places on the workshop are now available. Book a place via http://interaction14.ixda.org/program/wednesday/286-circle-of-visual-interpretation-workshop
More information will be posted on this blog in it's own designated Circle of Visual Interpretation Cards area.
More information will be posted on this blog in it's own designated Circle of Visual Interpretation Cards area.
Circle of Visual Interpretation Workshop
February 5th, Wednesday 09:30 HKU Hilversum, Amsterdam.
Morning workshop by Dave Wood
It is difficult to know for certain that the experience of one user will be the same as that for other users, and if other users sense the same things or encounter the world in the same way as each other. Yet interaction designers have to find a way of designing new interactions to suit their target audiences. Alan Cooper argues quite rightly that, “if you’re going to do user-centered design you’ve got to understand the user.”
This half-day workshop will give you, the interaction design professional, direct, hands–on experience of a new low cost methodology you can employ to reveal the meaning of user experiences through interpretation of the user’s experience itself. This emergent methodology will augment your personas within the normal ideation phase of your design process, creating a deeper understanding of what your users actually do, think, feel etc. rather that what they consciously think they know.
The practical workshop’s activities encourage the application of a method to reveal actual user experience through ‘the eyes of the users’ by applying a technique of hermeneutic-semiosis - which means visual interpretation through semiotics.
Themes in workshop include:
- The Essence of Experience;
- Hermeneutic-Semiosis;
- The Circle of Interpretation.
During this half-day workshop, we will use a very practical method card approach rather than a dry academic approach. The underlying hermeneutic-semiosis theory that (synthesising aspects of Pragmatism, and Martin Heidegger through C.S. Peirce’s semiotics) acts as a framework for the practical exploration.
You’ll come away with a clear understanding of the principles behind the methodology, and practical ideas that can inform your future interaction designs in new ways. It will also open up the debate as to how Visual Communication can be utilised more in the design of better interactive user experiences.
In the workshop you will:
- Discover how the methodology works through easy-to-use method cards;
- Participate in structured practical activities from the method cards to help show how you can apply it to your projects;
- Understand how to reveal more from your user research to achieve a fuller picture of your users, based on their actual points-of-view;
- Feedback your thoughts from the exercises and help further develop the methodology.
- Identifying themes of an experience—training participants to identify invariant themes in an experience from within user research;
- Revealing essence of experience—applying the principles of the method to reveal hidden user experience;
- Visually interpreting the experience—using a visual hermeneutic circle to refine the revealed experiential essence.
Labels:
hermeneutic circle,
Hermeneutic Phenomenology,
Interaction 14,
method cards,
Peircean Semiotics,
visual communication,
Visual Phenomenological Methodology,
workshop
Sunday, 11 August 2013
My PhD Contextual Review
Just collating my Phd's contextual review from writing I've done across 6 papers.
I have a 6,000 word target for my review.
Currently I have 17,547 words contextualising my thesis across the literature of Visual Communication, Interaction Design, HCI, Pragmatic Aesthetics, Hermeneutic Phenomenology and Peircean Semiotics.
Oops
I have a 6,000 word target for my review.
Currently I have 17,547 words contextualising my thesis across the literature of Visual Communication, Interaction Design, HCI, Pragmatic Aesthetics, Hermeneutic Phenomenology and Peircean Semiotics.
Oops
Labels:
contextual review,
hci,
Hermeneutic Phenomenology,
Interaction Design,
Peircean Semiotics,
PhD,
Pragmatic Aesthetics,
visual communication
Thursday, 4 April 2013
Been quiet but not idle… UXPA Talk - "DYNAMIC SINSIGN" 21st May
Although the blog has been quiet I haven't. I've been busy with my students, proofing my new book and working hard on my PhD. Some of the results of that work will appear on this blog over the coming weeks and presented to the members of User Experience Professionals Association in Edinburgh on the 21st May.
The talk is called Dynamic sinsign: Sign-action communicating experiential themes. Check out the link here to book a place.
http://uxpa-scotland.org/events.php
The talk is free for UXPA members, £10 for non-members, and £5 for students. Pay at the door. [Payment is a UXPA thing - I'm speaking for no fee so I have nothing to do with the money!]
Venue
Skyscanner: Quartermile One, 15 Lauriston Pl, Edinburgh EH3 9EN. LATECOMERS CAN NOT BE ADMITTED
Information
DYNAMIC SINSIGN:SIGN-ACTION COMMUNICATING EXPERIENTIAL THEMES
About the event
This talk emerges out of Dave’s current research-in-progress into interaction design from a Visual Communication perspective. Through a clever synthesis of Peircean semiotics and Martin Heidegger, Dave will discuss how the user experience can be revealed in a new way that connects HCI and interaction design with Visual Communication. The 45 minute illustrated talk is for any UX designer who’d like to get into the mind of the user to see what they experience in a hermeneutically direct way that personas and mental models can’t communicate.
In the first section of Dave’s talk he’ll set out the context for how Visual Communication can inform user experience:
More about the speaker
Dave is author of Interface Design: An introduction to visual communication in UI design to be published by Bloomsbury (AVA) in October 2013. Originally an illustrator, in 1997 he made the transition into interaction design designing interfaces. In the last decade he has become more interested in the user experience and the re-positioning of the design discipline of Visual Communication over the design of future interactions. His interest now lies in understanding the user's experience in the interaction and exploring how this can be communicated to other designers.
He is a lecturer in digital design and design researcher at Glasgow Caledonian University, teaching on BA(Hons) Graphic Design for Digital Media. He teaches across all 4 years, and in the 3rd year he teaches a user experience module called Design and the User to design students.
A member of the Interaction Design Association, he has academically published his research and is currently in the practical phase of a practice-based Visual Communication PhD at Edinburgh College of Art. Check out his academic profile http://gcal.academia.edu/DaveWood/ and blog http://internalexternal-2010.blogspot.co.uk/.
The talk is called Dynamic sinsign: Sign-action communicating experiential themes. Check out the link here to book a place.
http://uxpa-scotland.org/events.php
The talk is free for UXPA members, £10 for non-members, and £5 for students. Pay at the door. [Payment is a UXPA thing - I'm speaking for no fee so I have nothing to do with the money!]
Venue
Skyscanner: Quartermile One, 15 Lauriston Pl, Edinburgh EH3 9EN. LATECOMERS CAN NOT BE ADMITTED
Information
DYNAMIC SINSIGN:SIGN-ACTION COMMUNICATING EXPERIENTIAL THEMES
About the event
This talk emerges out of Dave’s current research-in-progress into interaction design from a Visual Communication perspective. Through a clever synthesis of Peircean semiotics and Martin Heidegger, Dave will discuss how the user experience can be revealed in a new way that connects HCI and interaction design with Visual Communication. The 45 minute illustrated talk is for any UX designer who’d like to get into the mind of the user to see what they experience in a hermeneutically direct way that personas and mental models can’t communicate.
In the first section of Dave’s talk he’ll set out the context for how Visual Communication can inform user experience:
- Visual Communication as a facilitator in behavioural change
- Interpreting the Hidden
- Signified Inspirational Data
- Experience probes - capturing experiences
- Experiential themes and dynamic sinsigns - visual interpretation
- Visual Hermeneutic Circle - analysing and reduction
More about the speaker
Dave is author of Interface Design: An introduction to visual communication in UI design to be published by Bloomsbury (AVA) in October 2013. Originally an illustrator, in 1997 he made the transition into interaction design designing interfaces. In the last decade he has become more interested in the user experience and the re-positioning of the design discipline of Visual Communication over the design of future interactions. His interest now lies in understanding the user's experience in the interaction and exploring how this can be communicated to other designers.
He is a lecturer in digital design and design researcher at Glasgow Caledonian University, teaching on BA(Hons) Graphic Design for Digital Media. He teaches across all 4 years, and in the 3rd year he teaches a user experience module called Design and the User to design students.
A member of the Interaction Design Association, he has academically published his research and is currently in the practical phase of a practice-based Visual Communication PhD at Edinburgh College of Art. Check out his academic profile http://gcal.academia.edu/DaveWood/ and blog http://internalexternal-2010.blogspot.co.uk/.
Labels:
Graphic Design,
Heidegger,
hermeneutic circle,
Peirce,
phenomenology,
pragmatism,
semiotics,
talk,
uxpa,
Visual Phenomenological Methodology
Monday, 29 October 2012
Hermeneutic Circle - Type Experiment 5
Hermeneutic Circle - Typographical Experimentation for 2nd PhD Practical Work
Hermeneutic Circle - Type Experiment 5: Imaginative Variation
Labels:
Clustering,
Context,
external,
hermeneutic circle,
horizon,
imaginative variation,
internal,
Parts,
themes,
Type Experiment,
Typographical Experimentation,
Whole
Thursday, 11 October 2012
Hermeneutic Circle - Type Experiment 4
Hermeneutic Circle - Type Experiment 4
Labels:
Clustering,
Context,
external,
hermeneutic circle,
horizon,
internal,
Parts,
themes,
Type Experiment,
Typographical Experimentation,
Whole
Saturday, 6 October 2012
Hermeneutic Circle - Type Experiment 3
Hermeneutic Circle - Typographical Experimentation for 2nd PhD Practical Work
Hermeneutic Circle - Type Experiment 3
Labels:
Clustering,
Context,
external,
hermeneutic circle,
horizon,
internal,
Parts,
themes,
Type Experiment,
Typographical Experimentation,
Whole
Thursday, 4 October 2012
Being in the World Documentary
maciasterence. (2012) Being in the World [online]. [Accessed 4th October 2012]. Available from: http://www.youtube.com/watch?v=i_18LfSA2Qs
Quotes:
"We're thoroughly conditioned by the world we are in, and that world is a world of customs, traditions, practices that we are so immersed in that we no longer see a way out of it. So the only way to do anything skillfully, with innovation, insight, sensitivity, and authentically is to be appropriating traditions, practices, customs that are all around us in the world that we just absorbed."
Taylor Carmen, Professor of Philosophy, Barnard College, Colombia University (37:10)
Labels:
existentials,
existentism,
experience,
Heidegger,
phenomenology
Hermeneutic Circle - Type Experiment 2
Hermeneutic Circle - Typographical Experimentation for 2nd PhD Practical Work
Hermeneutic Circle - Type Experiment 2
Labels:
Clustering,
Context,
hermeneutic circle,
Parts,
Type Experiment,
Typographical Experimentation,
Whole
Hermeneutic Circle - Type Experiment 1
Hermeneutic Circle - Typographical Experimentation for 2nd PhD Practical Work
Hermeneutic Circle - Type Experiment 1
Labels:
Clustering,
Context,
hermeneutic circle,
Parts,
Type Experiment,
Typographical Experimentation,
Whole
C is for CONTEXTS in which the WHOLE exists - Hermeneutic Circle
Hermeneutic Circle - Typographical Experimentation for 2nd PhD Practical Work
C is for CONTEXTS in which the WHOLE exists
Labels:
2nd PhD Practical Work,
Clustering,
Context,
hermeneutic circle,
Parts,
Typographical Experimentation,
Whole
B is for PARTS that can be CLUSTERED - Hermeneutic Circle
Hermeneutic Circle - Typographical Experimentation for 2nd PhD Practical Work
B is for PARTS that can be CLUSTERED
Labels:
2nd PhD Practical Work,
Clustering,
hermeneutic circle,
Parts,
Typographical Experimentation,
Whole
Hermeneutic Circle - The Starting Point
Friday, 17 August 2012
The Semiotics of Embodied Interaction… Connection Through Pragmatism
O’Neill,
S. (2008) Interactive Media: The
Semiotics of Embodied Interaction. London: Springer-Verlag.
Annotation
“we live in a world that has been
vastly altered by our cognitive abilities such that we inhabit not only the
empirical world of physical entities but also the world of sign systems, which
are a direct result of our cumulative interactions with the world (and each
other) over time. Thus, the relationship between the subject and the object is
dealt in a pragmatic way, where external phenomena are experienced as signs
that are meaningful to the organism and there is no separation of the two.”
(p144)
Annotation
The
experience of an empirical authentic
relationship within an environment between the person and the objects in that
environment is mediated by the inauthentic
semiotics of what
those same objects afford to the person as to how they can be used. O’Neill
argues that there is no separation between the modes of a meaningful existence, “Because we perceive before we conceive, we
find that the body is at the root of our conceptual apparatus as well as being
able to engage with the world without having to think about it” (p158). As
the human is an essential organism in the environment and not distinct from the
environment. Seen in a pragmatic
way, the semiotic signs
from the objects in the environment communicates meanings that lead to action that impacts on the
nature of the same environment.
Labels:
meaning,
O'Neill,
pragmatism,
semiotic sign,
semiotics
The Semiotics of Embodied Interaction… Ready-to-hand and Present-at-hand Modes
O’Neill,
S. (2008) Interactive Media: The
Semiotics of Embodied Interaction. London: Springer-Verlag.
Annotation
“Interacting with the media of all
kinds then falls between these two modes of being. On one hand we perceive and
encounter our media-rich environment directly, we manipulate it and transform
it through our-ready-to-hand mode of being. On the other hand, we are
constantly viewing, reading and interpreting mediated information through the
reflective mode of encountering it as present-at-hand. At the same time we move
between these two modes of being as we inscribe, interpret, transcribe and
transform our mediated environment. In a very clear sense we are deeply
entwined physically with the media in our environment and in another we are
constantly making, and making sense of, the inscriptions that the media
environment affords us.” (p140)
Annotation
An
experience fluctuates between a ready-to-hand
mode of being and a present-at-hand
mode. The former involves the perception,
interpretation, action
and physically embodied manipulation using what is at hand in the experience of
interacting within the present environment the person finds themselves in. The
latter a more reflexive interpreting
state of scanning what is available, making sense of the semiotic messages inscribed
within the present environment the person finds themselves in.
Labels:
interpretation,
perception,
present–at-hand,
ready-to-hand,
semiotics
The Semiotics of Embodied Interaction… Mediated Inauthentic Experience
O’Neill,
S. (2008) Interactive Media: The
Semiotics of Embodied Interaction. London: Springer-Verlag.
Annotation
“when we are engaged in making
physical representations of our thoughts, i.e., placing them out in the world
either through writing, speaking or drawing, we are making further inauthentic
media elements to be thought about. Therefore we cannot help but inhabit an
inauthentic mediated environment.” (p138)
Annotation
The act
of creating, especially of visual
communication outcomes, and placing these in-the-world is a step away from a directly sensed and experienced
reality, into a mediated inauthentic experience
prescribed by the designer. The act of interpreting these outcomes to understand the meaning in order to decide upon an action in the
interaction, leads to further inauthentic
outcomes of clicking, moving, selecting within a digital realm. As our being-in-the-world is dependent on interplay
between firstly an authentic direct
natural empirical experience within an environment, and secondly an inauthentic mediated experience within
that environment of stimuli that is not naturally available. Visual communication
outcomes populate an authentic
reality.
Labels:
authentic,
inauthentic,
interpretation,
meaning,
mediated inauthentic experience,
O'Neill,
understanding,
visual communication
The Semiotics of Embodied Interaction… Hermeneutic Circle
O’Neill,
S. (2008) Interactive Media: The
Semiotics of Embodied Interaction. London: Springer-Verlag.
Annotation
“Related to the concepts of
‘Ready-to-hand’ and ‘Present-to-hand’ are the concepts of ‘authentic’ and
‘inauthentic’ being. For Heidegger, ‘authentic’ being comes about through
experiencing the world as ready-to-hand in its firstness, its primary
authentically disclosed state in a direct one to one relationship with a natural
environment without any mediation. ‘Inauthentic’ being then, for Heidegger, is
the experience of being-in-the-world that is predominantly based on being
thrown into a prescribed world; i.e., it is an experience of living in a
media-saturated world where most of our experiences are second hand. Both
‘authentic’ and ‘inauthentic’ experiences can occur in relation to both
ready-to-hand and present-to-hand modes of being. That is, we can experience
the natural world and the mediated world from the perspective of doing things
with it or thinking about it.” (p136)
Annotation
An individual absorbs new knowledge from a
variety of authentic (direct) and inauthentic (mediated) sources
throughout their life. This impacts on an individual’s interpretation at any time (Bohman, 1991, p140), and explain aspects of deviation of interpretation when compared
to the collective in a hermeneutic
circle.
Labels:
Bohman,
hermeneutic circle,
interpretation,
O'Neill
The Semiotics of Embodied Interaction… Behaviour Change
O’Neill,
S. (2008) Interactive Media: The
Semiotics of Embodied Interaction. London: Springer-Verlag.
Annotation
“The key to solving this
fundamental problem [compatibility of Heidegger’s, Merleau-Ponty’s and
Peirce’s theories] is in understanding the relationship between perception
and conception. In other words, in developing a theory that takes into account
how veridical perceptual experiences of the ‘real’ world that are derived
through direct perception become, stored, represented or re-perceived in our
minds as knowledge. Furthermore this theory also has to take into account how
this knowledge is fed back into the world as mediated representations that
signify that same knowledge in our heads, allowing us to communicate and
socially construct the everyday world of our reality.” (p133)
Annotation
Phenomenologically it is difficult to know for certain what one person
sees is the same for others, but through a socio-cultural consensus meaning is agreed,
attributed, and mediated through a visual grammar of signs. These signify meanings that are socially constructed and
that can be successfully interpreted leading to a change in behaviour that the
designer is trying to facilitate. How this behaviour change unfolds can be phenomenologically
revealed, and also visually
communicated.
Subscribe to:
Posts (Atom)